Lesser Known Artists: Lucille Malkia Roberts

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Malkia Roberts ( 1923 ), “Spectrum” Acrylic on canvas 1972

This image, according to the artist, represents acceptance of the present and anticipation of the future. The woman is the past, and the Expressionistic style and upward gaze symbolize the future. The flame-like palette “eliminates the possibility of negative space and ensuing objectivity” (203).

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Malkia Roberts ( 1923 ), “Guardian” Oil and Acrylic on canvas 1986

Human figures are often found in Roberts’ art, but abstracted. The theme of this piece is “women of color” and how they are “protectors of family and tradition.” She is quoted as saying, “My ‘gathered visions’ are evoked and implied rather than realistically delineated in the traditional sense. They have evolved and are wedded in patterns of light and color, reflecting my emotional and spiritual reactions to places and ‘people of color’ around the planet, with whom I have bonded. The energy invites viewers to unravel the themes and come to their own conclusions.”

Information from University of Iowa

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Almost through

 

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unraveled hours

languidly dwindle and dim with the lengthening of the day

twilight loses its luster

dusk impatient

departs before dawn

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yet in hours ignored

dark swells in innocent admiration

still enchanted by far off forms ablaze

the scent of summer slumber whispers in the wind

so when days are done

the old enduring earth

attempts again to become something new

“Almost New” by Meaghan Merrifield

The Way She Painted Me

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This is the way she painted me

with

sloppy brushstrokes

of indigo

and cloudy-white.

—- messy holes

that spread

and leak

into

marbled splatters of nose and eyelid. 

It looks nothing like me

but

when I touch her,

I can feel it

sweating into the pores behind my eyelashes–

staining my sight

like the horror of a bloody

ghost.

“The Way She Painted Me” by Angie Hoover-Hillhouse

Artwork: No Sudden Movement by Nina Schroeder