I have no clue what inspired this creepy man, but it looks like he had giant ears at one point.
Wrinkly Head Doodle by Angie Hoover
More of Angie’s artwork here:
https://theshowtellproject.wordpress.com/category/angie/artwork/
I have no clue what inspired this creepy man, but it looks like he had giant ears at one point.
Wrinkly Head Doodle by Angie Hoover
More of Angie’s artwork here:
https://theshowtellproject.wordpress.com/category/angie/artwork/
Quentin the Homosexual Kitty by Angie Hoover
I created Quentin and designed a series of gay males that I planned to put into a cardboard dollhouse & take photos. I wanted to do a series. The first of which would have been called “”Quentin The Homosexual Kitty’s Big Gay Cupcake Party”
Photo by Beth Raper
[…] A possible protagonist whose story was possibly forgotten
Untitled Sketch & Caption by Mitch Schiwal
More of Mitch’s Posts including Interview here:
https://theshowtellproject.wordpress.com/category/mitch/
She had endured a life seated in unparalleled heartbreak. She was not born hard; she was a woman made cold by circumstance.
She walked up to the door… her black leather heels digging deep into the softening oak beneath her. She didn’t knock. Her steps were authoritative without being obnoxiously loud. She seemed emotionless but if you looked hard enough you would see that her compassion ran deep. She had endured a life seated in unparalleled heartbreak. She was not born hard; she was a woman made cold by circumstance.
Excerpt from “A Woman Made Cold” original short story
by Angie Hoover-Hillhouse
This story is still unfinished. It comes to me in pieces that may or may not ever fit together, but I suppose that is the nature of inspiration.
Untitled Artwork by Vanessa Cate
No Room for Pierre by Angie Hoover-Hillhouse
I started with the cartoon of the lonely, french babyman. When he was done, I noticed that his expression was very dreary and disheartened, so I added the tub filled with others just like him enjoying a group bath. The backgrounds that I drew ended up distracting from the absurdity, so I moved on without completing the piece. I really would like to blow it up and hang it in my kitchen one day.
Interview with an Artist: Alison McPherson
the closer I am to finishing something, the more I ruin what it could potentially have been if I didn’t finish it.
ANGIE: Do you have any thoughts on why art is often left unfinished?
ALISON: When I draw, it’s like something is both intoxicating me and pulling me along with its momentum. I stop when that feeling stops.
ANGIE: Do you feel like you usually finish your creative writing projects?
ALISON: The shorter ones, yes. The longer ones, never. And finish isn’t really that set in stone. It’s more “presentable”. I might go back to it later.
ANGIE: Do you think there is something in you that resists completing the project on some level? My friend Mitch and I were talking about how finishing a project sometimes feels like accepting a death.
… an anticlimactic death
ALISON: I feel that way with more complex pieces. It’s very much reminiscent of Lost in Translation. Sometimes the potential of a piece is more exciting than the execution and the closer I am to finishing something, the more I ruin what it could potentially have been if I didn’t finish it.
artwork by Alison McPherson
Alison’s Blog: http://boastingsquidsandolivehomages.wordpress.com/
His ruined ears can hear no truth
His soiled hands can share no warmth
I know his eyes seem soft at times
but they’ll steal what’s good in you
you’re just his fool
you’re just his fool
dance a jig to make him laugh
you’re just his fool
his loyal fool
Good Old Captain Crow
Your pity gets the best of you
that crooked fool you see is you
i know he’s lonesome, lost, and blind
but you can’t bring him back to life
“Captain Crow” from unfinished musical titled A Woman Made Cold
& Partial Portrait of a Man by Angie Hoover-Hillhouse
More of Angie’s poetry here:
https://theshowtellproject.wordpress.com/category/angie/poetry-angie/